https://www.tandfonline.com/doi/full/10.1080/14616688.2023.2290662

Abstract

This research brings an original anthropological approach to the understanding of how the tourism industry negotiates the construction of elusive, magical geographies. Fairy tourism or ‘fairy hunting’ has been acknowledged since the nineteenth century, but is largely overlooked in tourism literature, despite increasing exposure to fairy motifs through multi-media platforms, including films, gaming, and literature. This study examines fairy festivals using a theoretical framework based on the novel concept of ‘liminal affective technologies,’ (LATS), that are designed to enhance transformative potentiality. An Interpretative Phenomenological Analysis method is used to analyse how fairy festival producers generate approximations of Fairyland. To create fairyscapes, their organisers devise LATs, such as situating the events in places that are bucolic, mystical and connected to local folklore, and staging workshops, music, and activities, such as wish-making, using fairy-themed motifs, to reinforce the magical narrative. Yet several festival producers ‘toned down’ the troublesome or Pagan elements of the fairyscape, explaining the surreality of their events to visitors as dreamscapes.

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