1.3 Sam Thompson reads from Still Worlds Turning

How do writers move between composing long and short fiction? Where do stories come

from and how are they carried to completion? Sam Thompson discusses form and practice

before reading ‘Seafront Gothic’ (Still Worlds Turning), his story about the uncanny, sibling

rivalry, and the unknowability that underpins human relationships.

Music by Ruby Colley. Edited by Stephen Sexton.

Photo by Chris O'Neill.